Sunday, January 26, 2014

ZZZ Top

This piece was actually created after reflection on the work of Aesop Rock. The title is a reference to a song by the same name. 


"ZZZ Top"
mixed media on Bristol board, 19x24"
Garrett Scott Ball


"ZZZ Top"
mixed media on Bristol board, 19x24"
Garrett Scott Ball





Sunday, January 19, 2014

Bloom

I have just returned to NY and am so ready for the next adventure. 



"Bloom"

mixed media on Bristol board, 19x24"

Garrett Scott Ball




Bloom detail

mixed media on Bristol board, 19x24"

Garrett Scott Ball

Sunday, January 5, 2014


untitled

mixed media on Bristol board, 19x24"

Garrett Scott Ball


Sunday, December 29, 2013

Colorado Dreaming

I feel so fortunate to be home in Colorado with all of the people that I love. I have decided to post a drawing with one of those very dear people as a model. The subject of this portrait is an extremely kind friend of mine, who has shown me light, wisdom and love. Sabina Beachdell, is currently touring the nation making music, and friends.




"Awestruck"

Dip Pen and India ink on Bristol board, 19x24"

Garrett Scott Ball




Detail of "Awestruck"


Detail of "Awestruck"

Sunday, December 22, 2013

sticky icky Copaesthetic

I have been unable to post on here for a while. I am designing a production of A Midsummer Night's Dream" for the purchase Opera company, that will open in March. I has been all consuming with my time, but seeing as how the blog is approximately a year behind my current work, I really should try to update more frequently. 





"Defense mechanism"

Dip Pen and India ink on Bristol board, 19x24"

Garrett Scott Ball



Detail.

Sunday, December 1, 2013

Eva Rose Warner

I've Always enjoyed making work based on the people in my personal life who inspire me. This piece was made using some photos given to me by a long time friend Eva Warner, taken from her trip to India. 





"Eva Rose Warner"

Dip Pen and India ink on Bristol board, 19x24"

Garrett Scott Ball

Monday, November 18, 2013

Still Life

I am currently so blessed to be given the opportunity to design the Benjamin Britten opera version of Midsummer Night's Dream, with the S.U.N.Y. Purchase opera conservatory. I am working with an amazing team and being given the chance to put into practice some ideas I've wanted to use for a long time, however with all of the work for the opera I haven't had time for much else. I will do my best to continue updating, and I hope to see you all there in March.




"Still Life"

Dip Pen and India ink on Bristol board, 19x24"

Garrett Scott Ball


Sunday, November 3, 2013

Lost in translation

Sharing My work on a computer screen has never been ideal for me, I find that it often doesn't do the work justice, a lot of the detail and craft is rendered out of the piece. I find this especially true of my works on black. Please feel free to contact me for details, or higher resolution images.



"Lost in Translation"

Dip Pen and India ink on illustration board, 24x30"

Garrett Scott Ball



Monday, October 21, 2013

American Visions

While I'm working on updating the blog with all of the things I've been neglecting, its time to add some theater work. American Visions was a series of 3  one acts written by Samuel Sheppard. It was produced by the Purchase College Repertory Theater Company. I was the Assistant Scenic Designer on it, working under Michael Hirsch. The Director was Zenon Kruszelnicki. It was an honor and a pleasure to work with such a phenomenal team, and the work could not have turned out better.



















Sunday, October 13, 2013

Wood Panels

Just for the fun of it, I've decided to add some wood panels I made for my first show, that never made it on to the blog. I hope you enjoy. 










Sunday, October 6, 2013

Billy saves a life.

         This is a piece from may of 2011, I've been delaying posting it because I have been concerned I won't be able to do its story justice. It is based off of a nude model we had several times at RMCAD, Billy. Billy was an older, heavyset man, who was always very kind to all of the students. On several occasions he and I spent time together after class was over, and he would tell me about his life. He is a painter himself, having completed over 200 (rather stunning if I might add) paintings of trains. He loves trains, he would show me a computer program that he is writing of all of the Colorado Train tracks rendered in great detail. Perfectly formed trains from head to caboose, and every junction and intersection they cross. He lives in a pop-up trailer in the back of a pick up truck, parked at his friends house. There are elements of his past, that he has asked that I keep private, to protect his reputation with the school. I have many stories that I learned from Billy ranging to every subject tangible. But one story has impacted me more than any other. 

        Billy was working as a paramedic in Philadelphia, after a tragic occupational accident put his painting career on hold. He was responding to the scene of a major car accident. There were several injured, including one young boy. The boy had the side of his body torn open, rendered clean of flesh and exposed. The boy was miraculously still alive but in very bad condition. While being transported to the hospital in the back of an ambulance, the boy fell into cardiac arrest. Billy, seeing no other option, reached his hand in through the side of the boys open chest and began to manually pump the boys heart. He wrapped his fingers around the heart and began to squeeze in rhythmic intervals. He continued to act as the boys life giving organ all the way into the hospital, until he could be stabilized with machinery. Due to Billy's efforts the boy survived. 
      
         I find that story so beautiful. The strength of the connection between Billy and that boy, a stranger. Billy rescued that boy from certain death by physically willing his body to go on. For a brief moment they were one, the boy completely dependent on this man for survival. It is an inspirational act of love so intimate, it defies mortality. They may never see each other again, but i'd like to think that both of them, are permanently bonded.  I found the story so profound that I had to create a piece inspired by it. 




"Billy saves a life."

dip pen and India ink 19x24"

Garrett Scott Ball

Wednesday, September 25, 2013

Rebellious Palpitations






"Rebellious Palpitations"

Dip Pen and India ink on Bristol, 19x24"

Garrett Scott Ball



Friday, September 13, 2013

Return.

I apologize. I spent the summer working at the Santa Fe opera, painting props. I lost sight of updating this website, for several reasons. But I have recently had a few friends ask me to continue adding work. And I am fairly backlogged at this point. So Here is a piece called, "Nothing Lost or Forgotten." I'd like to give it to the volumes of character that comprise the people in my life, that I may never unravel.







"Nothing Lost or Forgotten."

Dip Pen and India ink on Bristol, 19x24" 

Garrett Ball




To all those, who told me they missed being updated on my work, thank you it means a lot. 


Sunday, June 9, 2013

New Beginnings

This piece was meant to be a juxtaposition of age and youth. It was made after having an in depth conversation with a friend, who had a mortally ill grandfather.



"New Beginnings" 



Detail of "New Beginnings"


Dip Pen and India ink on Bristol, 19x24" 

Garrett Ball

Saturday, May 25, 2013

Crossing the Event Horizon

           I apologize that I have been infrequent in posting the past few weeks. I recently started work at the Santa Fe Opera. I have been so totally consumed by my work painting, and in my journeys from New York, that the digital world has fallen by the wayside. In light of the new adventures and experiences I chose to post this piece. When making it I was considering how no matter where we go, we carry where we've been. 


"The things they carried"

Dip Pen and India ink on Bristol, 19x24" 

Garrett Ball




(detail)